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They have debated the nuances in meanings of terms such as “labour lore,” “industrial lore,” “industrial folksong,” “protest song,” “propaganda song,” “occupational folklore,” “occupational folklife” and “organizational folklore” (American Folklore Society 1984 Denisoff 1966 Fowke 1969 Frank, 1985: 213 Jones 1985 McCarl 1978: 176). Article bodyįolklorists and other scholars refer to protest songs by various monikers.
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En effet, ces documents vernaculaires affermirent la solidarité au cours des moments de bouleversement et de changement à l’île du Cap-Breton. Mon propos ici est de démontrer qu’une tradition de chansons de contestation très évoluée a bien et bel existé et a joué un rôle important dans les luttes travaillistes des années 1920. Leur approche soulève des questions complexes sur comment et par qui se construit l’authenticité. Dans le passé, certains ethnologues ont écarté les chansons de contestation car leurs paradigmes ne leur permettaient pas d’appréhender ces dernières comme des modes d’expression culturels authentiques. Le corpus de chansons provient pour la plupart du Maritime Labour Herald, un quotidien des années 1920 qui incluait des oeuvres composées sur place et ailleurs dans le monde. Cet article explore certains chansons et poèmes de contestation de l’île du Cap-Breton qui n’avaient jusque-là pas été étudiés. Sur l’île du Cap-Breton, où les mines de charbon et les aciéries constituaient autrefois une composante essentielle de la culture et de l’économie de la région, la chanson et le poème de contestation sont très courants. Indeed, these vernacular materials were used for solidarity during times of upheaval and change in Cape Breton Island.
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My intent is to show that a well-developed protest song tradition was alive and well, and played an important role in the labour struggles of the 1920s. Their approach raises complex issues of how authenticity is constructed and by whom. Some earlier folklorists ignored protest songs because their paradigms did not permit them to view these forms as authentic cultural expressions. The body of songs is culled largely from the Maritime Labour Herald, a newspaper of the 1920s that included both locally and internationally composed works. This article explores some previously unexamined protest songs and verses of Cape Breton Island. On Cape Breton Island, where coal mining and steel making were once an essential part of the region’s culture and economy, protest song and verse are found in abundance.